Temporary Exhibits Session Archives


An American in Venice | James McNeill Whistler and His Legacy

Information Session: Friday, October 18, 2019, 10 AM

Docent Meeting Agenda

Exhibition Text Panels

Object Checklist

Object Labels, forthcoming. Please look for these on the portal Thursday, October 17, 2019

Gallery Guide

Gallery Activity Guide

Etching Power Point


DISCUSSION RESOURCES

A Pot of Paint: Aesthetics on Trial in Whistler v. Ruskin, by Linda Merrill

View the full PBS video (and hear my art history advisor Sarah Burns in) James McNeill Whistler and The Case for Beauty

Etching is a printmaking technique that uses a corrosive liquid to etch lines in a metal printing plate which holds the applied ink and forms the image. Learn how to make your own etching with our how-to video. Created by Liverpool John Moores University Print Studio.

Uploaded by Dulwich Picture Gallery on 2013-10-22.

From the Mitchell Gallery exhibit at St. John's College, "Reflections and Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940" October 25 -- December 13, 2013.

Heather Nolin, Arthur Ross Collection Research Associate and Project Manager, Yale University Art Gallery James Abbott McNeill Whistler was 21 in 1855 when he left for Europe intent on becoming an artist. He settled in London and never returned to the US, yet always identified himself as an American.

The Peacock Room ignited a bitter feud, and became so famous, it was moved walls and all, across the Atlantic, where it now resides in the Smithsonian's Freer Gallery. From the Series: Smithsonian Spotlight: Peacock Room http://bit.ly/2lg5oTx

The original art is a human desire, depicting life through a variety of ways, but who are the masters of it? The expression means they must be unique individuals, while also embracing life. "Art Collection" by the BBC performs elaborate and time-consuming search through the years, shuttling around the museums, galleries and private collections in the world and visiting around artists friends and family.


Barbara Vogel and Contemporary Art

— Wednesday, March 6, 2019, 10 am

Agenda
Didactics

Learn more about encaustic in these videos. Although they are not about Barbara Vogel herself, these nice videos discuss the ancient media and process used by artist Barbara Vogel, which can be seen in the new exhibition opening later this month in the Linn Auditorium.

Watch artist Barb Vogel demonstrate her process! See more work by Barb at www.sherriegallerie.com/barb-vogel Barbara Vogel received her BFA and MFA from the Ohio State University. She creates images based in alternative photographic processes. Her work is in the permanent collections of the Springfield Art Museum in Springfield, Ohio, the Southern Ohio Museum in Portsmouth, Ohio, and the Ross ArtMuseum in Delaware, Ohio.

Pre-order our book YOU ARE AN ARTIST (which includes new assignments!) here: http://bit.ly/2kplj2h So you look at a work of art and think to yourself, I could have done that. And maybe you really could have, but the issue here is more complex than that -- why didn't you?

Pre-order our book YOU ARE AN ARTIST (which includes new assignments!) here: http://bit.ly/2kplj2h For much of human history, people made art by trying to represent the world as it appeared around them. Until about 100 years ago, when a bunch of artists stopped trying to do that.

Robert Rauschenberg, Bed, 1955, oil and pencil on pillow, quilt, and sheet on wood supports, 191.1 x 80 x 20.3 cm (The Museum of Modern Art) © 2013 Robert Rauschenberg Foundation Speakers: Dr. Beth Harris & Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.

The ancient Egyptians painted with hot wax and so did Jasper Johns in his iconic Flag paintings. The technique is called encaustic, after the Greek word for "burned in". Royal Academician Terry Setch has been painting in encaustic for 40 years, and here he demonstrates some of the wax-wrangling techniques he uses to create his multi layered and richly textured paintings.

Pre-order our book YOU ARE AN ARTIST (which includes new assignments!) here: http://bit.ly/2kplj2h In which we talk about ways to find out about contemporary art and announce The Art Assignment Book Club. We'll start with Dave Hickey's Air Guitar: Essays on Art & Democracy: http://bit.ly/1mgCkUs.

You mean there's a difference between modern and contemporary art?!? SmART Talk breaks it down + check out one of the modern masters in person during the Matisse: Life in Color exhibition on view at the San Antonio Museum of Art, June 14 - September 7. #MatisseSA

Jury Award Winner! Audience Award Winner! ENCAUSTIC is a short documentary about artists working with encaustic paint in the Washington DC area. It was produced as part of Docs In Progress' 2016 DOC AROUND THE CLOCK competition in which filmmakers only had a weekend to produce a documentary.

A pair of glasses on an art gallery floor. Art? Or prank? What about a urinal? We compare recent pranks in art museums to art that uses some of the same strategies. To support our channel, visit: http://www.patreon.com/artassignment.

Mark Rothko, No. 210/No. 211 (Orange), 1960, oil on canvas, 175.3 x 160 cm (Crystal Bridges Museum of American Art). Speakers: Dr. Margi Conrads and Dr. Steven Zucker


Catching the Light, American Impressionism from the Cincinnati Galleries, and Karl Kappes and Ohio Impressionism


Information Session: Friday, February 1, 2019


RESOURCE-ARTICLES

American Scenes of Everyday Life, 1840–1910

Impressionism: Art and Modernity

Americans in Paris, 1860–1900

American Impressionism

Childe Hassam (1859–1935)

William Merritt Chase (1849–1916)

Mary Stevenson Cassatt (1844–1926)

John Singer Sargent (1856–1925)


RESOURCE-VIDEOS

Ohio Arts Council Riffe Gallery 2008 Exhibition Video Midwestern Visions of Impressionism: 1890 - 1930

There is an interesting and informative three-part series available to stream on Amazon Prime called The Impressionists. The British art historian discusses unusual aspects of Impressionism, including Renoir’s beginning as a china painter (!) and a little known French Impressionist ceramic artist-a female no less (!). I learned so much from this series. While it may not be directly related to the upcoming ZMA exhibition, it’s still quality material. See the somewhat zainy trailer here. LS


This interesting five-minute video by the same British art historian talks about Cezanne and the revolution of optics during the Impressionist period and gave me a new perspective on how this developing science likely altered artists view (literally) of painting techniques. LS

Created by Artist Phil Hansen. Text "studio" to 31996 to get updates from the studio.

Still among the best loved of all artistic movements, Impressionism records the world with a memorable alacrity, capturing scenes with a spontaneous shorthand of divided light and color. Impressionist landscapes were first codified outside Paris by Monet and Renoir in 1869, but soon spread abroad, where, by the late 1880s, they found an enthusiastic and highly individualized group of practitioners in America.

In the video above specialist Elizabeth Beaman describes how the leading American Impressionists found inspiration on a hideaway island in New England. Find out more at http://www.christies.com/features/American-Impressionism-Collecting-guide-7876-3.aspx 'To me this painting is an encapsulation of what happiness looks like,' says specialist Elizabeth Beaman, introducing John Leslie Breck's vibrant painting Garden, Ironbound Island, Maine, thought to have been painted in 1896.

Anna Marley, Pennsylvania Academy of Fine Arts, intertwines stories of American artists, Impressionism, and the growing popularity of gardening as a middle-class leisure pursuit at the turn of the 20th century. From the series American Art Up Close, delivered 3/26/2015 The lecture was generously funded by the Terra Foundation for American Art.

Learn more about "American Impressionism: The Lure of the Artists' Colony," on view at the Woodson Art Museum through February 27, 2016.

In-gallery presentation for the exhibition "American Impressionism: The Lure of the Artists' Colony" on view at the Reading Public Museum, Reading, PA, September 24, 2011 through January 29, 2012.


Rembrandt: The Consummate Etcher and Other 17th-Century Printmakers

“Impromptu Information Session”: Tuesday, October 23, 10:30 am

Join us for some extra information on the show before it opens on Thursday, October 25th. Laine will be giving a docent tour and discussing some information that may be helpful for the upcoming “Imagination Tours.” This is not mandatory but will be a lot of fun.

Information Session: Friday, October 5, 10–12 pm

Agenda

Object Checklist
Object Labels
Didactics
Rembrandt The Consummate Etcher and Other 17th-Century Printmakers, Syracuse University Exhibition Catalog

15-minute Tour Sign Up Sheet

Additional Resources

Rembrandt and the Technique of Etching

Alexander Massouras demonstrates how the techniques behind some of history's greatest prints remain unchanged - almost 400 years on. Renowned for his work in the medium, Rembrandt came to be recognised as one of the most accomplished printmakers of all time, producing works in intricate detail.

Friday, November 11, 2016, 1:30 pm Rembrandt's fame throughout Europe was due mainly to his large output of etchings. His novel way of creating these works was a subject of amazement. John Walsh, B.A. 1961, Director Emeritus of the J. Paul Getty Museum, Los Angeles, surveys the artist's etchings, paying special attention to The Hundred Guilder Print (ca.

Rembrandt van Rijn, Self-Portrait, 1659, oil on canvas, 84.5 x 66 cm (National Gallery of Art) Speakers: Dr. Steven Zucker & Dr. Beth Harris. Created by Beth Harris and Steven Zucker.

Dutch art from the 17th Century was made up of small, finely crafted paintings, often depicting the simple things in life. What made Dutch art from this era so special, what made it a 'Golden Age'?

Rembrandt van Rijn, The Three Crosses, etching and drypoint, 1653 Speakers: Dr. David Drogin, Dr. Beth Harris http://smarthistory.org/rembrandt-three-crosses.html

George Wachter and David Pollack describe the impact of the rise of the merchant class in 17th Century Holland and its effect on the artwork of that time. They highlight the numerous Dutch Golden Age paintings that are featured in the upcoming Important Old Master Paintings auction.

Park West Gallery Director, Morris Shapiro, and Park West Gallery President, Marc Scaglione, visit The Rembrandt House Museum in Amsterdam. Founded in 1969, Park West Gallery offers works of art through its galleries in Michigan and Florida and at art auction events across the country.

Works Discussed: Studio copy, Rembrandt with a Gorget, oil on canvas, c. 1629 (Mauritshuis, The Hague) Self-Portrait at the Age of 34, oil on canvas, 1640 (National Gallery, London) Self-Portrait, oil on canvas, 1658 (Frick Collection) Self-Portrait, oil on canvas, c.

Documentary The Rembrandt House Museum, Amsterdam. COPYRIGHT. HD Full resolution video available for broadcast in French, English and Dutch. contact: marc@hdcinemagic.com director: Paul Molijn camera: Goof de Koning editing: Marc Mookhoek

The art historian Nicholas Usherwood, describes Rembrandt's etchings in a short film for Goldmark Gallery's exhibition. To view or purchase original prints by Rembrandt on the Goldmark Gallery website click here: http://bit.ly/14ar0gm Biography - Born in Leiden in 1606, Rembrandt was to become the most important artist of the Dutch Golden Age.